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Woolly Mammoth's Hir and Rick Foucheux's possibly-career-capping Avant Bard King Lear, reviewed.

Chris Klimek

Emily Townley and Joseph J. Parks in Hir. (Scott Suchman)

Emily Townley and Joseph J. Parks in Hir. (Scott Suchman)

My review of Woolly Mammoth Theatre Company's "rich and fervent" production of Taylor Mac's family tragicomedy Hir is in this week's Washington City Paper, along with a shorter one of WSC Avant Bard's latest King Lear — which just might be the swan song of one of DC's most venerable actors, the great Rick Foucheux. Pick up a paper copy for old time's sake.

Hear Me Threaten the Life of Co-Host Josh Larsen on Last Week's Filmspotting!

Chris Klimek

The Terminator is one of my favorite movies. When my Windy City pals Adam Kempenarr and Josh Larsen announced the other week that they would make writer-director James Cameron's low-budget, high-concept sci-fi classic the subject of one of their "Sacred Cow" reviews, I knew that the likelihood that Josh—a critic who generally seems to dislike action films, with the bizarre exception of the Fast & the Furious franchise, which to me represents the genre at its most derivative and least inspired—would rain on it. He hates Predator, people! Predator! A film I saw last year at the Library of Congress!

So I took action. To paraphrase Al Capone, you can get farther with a kind word and a quote from The Terminator than you can with a kind word alone. The threatening voice mail I left for Josh opened last week's episode.

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Something Completely Different in Becoming Bond

Chris Klimek

One-and-done 007 George Lazenby in 1969's On Her Majesty's Secret Service.

One-and-done 007 George Lazenby in 1969's On Her Majesty's Secret Service.

It's a strange coincidence that Sir Roger Moore, 007 No. 003, died only about 48 hours after the premiere of the very funny Hulu documentary Becoming Bond, about one-and-done 007 George Lazenby — who, incredibly, landed the most sought-after role in showbiz (circa 1968) with double-oh-zero prior acting experience.


I'll never get tired of this real-life story. And the Bond flick that resulted, On Her Majesty's Secret Service, is in my Bond Top Five, way above of any of the Moore entries. Anyway, I wrote about all this for the weekend crowd. And I fan-casted Matt Gourley, again.

I wrote this piece quickly, and it occurred to me only after I'd send it off to my editor, the great Linda Holmes, that I might've mentioned the passage of the documentary wherein Lazenby explains the discovery that turned him from a failing salesman into into a successful one. He might've been talking about acting.

Pop Culture Happy Hour: Alien: Covenant and Veep

Chris Klimek

My pal-for-life Glen Weldon is Down Under this week—like Quigley, like Jackman, like Michael J. "Crocodile" Dundee—but I was glad to be part of a reduced Pop Culture Happy Hour panel along with host Linda Holmes and regular Stephen Thompson to dissect the messy but fascinating prequel-sequel Alien: Covenant and to marvel at how the political satire Veep has stayed so strong for six seasons. At the end of the episode, I give a little love to little-loved—by me, anyway—replacement 007 Sir Roger Moore, who passed away this week at the age of 89. You can hear the full episode here or embedded below.

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Yo-Ho, Ho-Hum: Pirates of the Caribbean — Dead Men Tell No Tales, reviewed.

Chris Klimek

Johnny Depp doesn't exactly strain himself in Pirates 5, not that we'd want that. (Disney)

Johnny Depp doesn't exactly strain himself in Pirates 5, not that we'd want that. (Disney)

Sitting down to review the new Pirates of the Caribbean, I knew for a fact that I'd seen all four of the prior movies but I couldn't remember a thing about any of them, except that one had Keith Richards in it for a minute. I expect I'll forget this one, too, though I wouldn't be averse to catching it on a double or triple-bill on a nice summer night at the Bengies Drive-In.

Of Most Rare Note

Chris Klimek

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Can a working actor get famous in one of Shakespeare's least-famous plays? In this week's Washington City Paper, available wherever finer alt-weeklies are given away gratis, I profile the hardworking and versatile titan of stage and stage Mr. Ian Merrill Peakes. He's currently appearing in the Folger Theatre's Timon of Athens, the "Hey Bulldog" of the Shakespearean canon.